for Keith McIvor

On friendship and transience – between Fuji, Unsound and Making Time

It is 12 September 2025 and I am dancing. It is not just sweat running down my forehead and elsewhere during DJ Sprinkles’ (Terre Thaemlitz) four-hour set, it is also tears of joy. After months that felt like years, I trust my legs again to carry me through the night – or at least through four hours like this one at the Socore Factory Club in Osaka. I’ve written about it elsewhere on kaput, and I’ll leave it at that for today. Just this much: we always take it for granted that we can move around and share social spaces with others, but it’s a gift that cannot be appreciated enough.

I have been fortunate enough to have experienced two handfuls of sets by Terre Thaemlitz in my life, including four Sprinkles sets. But the one that night, as part of the Unsound Festival, will remain in my memory forever, second by second. A single great wave of joy. At this point, I would like to salute the club operator, whose exuberant euphoria should be the benchmark for everyone involved in nightlife.

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Interview

Amelia Holt: “Are you interested in being part of something special, or are you here for the money?”

I catch up with the New York-based DJ, promoter, and agency head Amelia Holt. Between the snow-dusted streets of Brooklyn and the post-Berghain haze of a Berlin winter morning, we navigate the fragile economics of modern nightlife, the discipline of the dancefloor, and the ghosts of the ‘80s Manhattan club scene.…

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“Heavy Waters” at CTM 2026

Zeynep Schilling: “I can’t imagine making art only for art’s sake. I’ve always been political, starting in high school.”

“Heavy Waters” is not a metaphor in search of gravity; it is gravity. It asks what it means to m…

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„Rentrer à la maison“ – video premier

Coming home with good intentions with Anadol & Marie Klock

Whenever you go home You start off with great intentions And then shove ‘em up your ass Nice …

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Twice 25 from 2000-2025

Hallucinatory, Shadowy Sound, Pain and Hedonism: Burial’s Burial / Britney Spears’ Blackout

Not one, but two records have made a particularly strong impression on Aida Baghernejad in the first…

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A conversation with Chloé Zhao by Daniel Kothenschulte

Chloé Zhao: “To me, love is not about happiness (…), love is about transformation”

"I don't think you can love with an open heart without the capacity of handling the pain from being …

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Interview – Jason Williamson on “The Demise of Planet X”

Sleaford Mods: “It’s very rare that I’m on a positive streak”

Jason Williamson reflects once again on political exhaustion, masculinity, consumerism, and ageing w…

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book review in 4 situative acts

Spector Books feat. Sonic Resistance in Non-democratic Europe, Bunker Archéologie, Krieg & Wallenstein und Wolfgang Tillmans

On some page of ‘A Thousand Plateaus: Capitalism and Schizophrenia’ (originally published in 198…

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Kaput - Magazin für Insolvenz & Pop | Aquinostrasse 1 | Zweites Hinterhaus, 50670 Köln | Germany
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Thomas Venker & Linus Volkmann
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